Directing Scene I of Sophocles AntigoneThe direction of the first motion picture of Antigone allow bunch the mood for the entire play . Antigone has called her child Ismene to meet her offside the palace provide in Thebes . She tells her sister the king testament not allow their brother Polyneices to be buried . Antigone tries to call for her sister to help but she refusesThe arrest forget be at night . Both women disordered up robes , with Antigone s robe a dark color indicating tribulation . The mystify will be simple . The palace gates and debate is the backdrop , with a strong imposing savour in that respect will be soft luminosity glowing from croup the bulwark . This will shew the conception of life and military action . Although Antigone and Ismene are the only characters , the pass stage should be set to give the impression of perfunctory voices behind the wall . The voices will be muffled and locomote the like a dialogue between people base on balls past . When this occurs , the sisters stop public lecture and look at the gate , fearful someone has hear them and is coming out to investigate .
Then the sound of parley will pop off away , and their conversation resumesIn front of the wall will be a simple bench list to look like stone There will be two torches rise the bench to cast the sisters in a half-light . Antigone will be seated on the bench . When Ismene approaches she will r ise to perceive her . At first both sister! s will sit in concert . As the conversation develops Antigone will footprint . The actresses will make gestures and expressions that match the dialog Sound and excitement will give the effect of a thunderstorm come near from the aloofness . Music is in the background . It will be black and at a moderate level until Ismene appears , whence static during their conversation , and become louder and suspenseful at the cobblers last of the scene . Wind from the storm blows out the torchesPAGEPAGE 2 [name] ...If you indigence to get a full essay, order it on our website: OrderCustomPaper.com
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