Emily Bronte’s poem “Spellbound”

Emily Brontes poem, Spellbound, is evocative and emotive. Its imagery, saturating nature with realistic emotions, is unforgettable. In dissecting the poem, truly examining it for its constituent parts, one is struck by the dictation with which Bronte is able to manipulate individual words and have them gush with emotions, conjure up images in the readers head effortlessly. In the end, Brontes nature is painted as a canvass of entrapment, a exalted masterpiece of beauty that ensnares her imagination but paralyzes her body and soul. Brontes offshoot stanza establishes this motif early.Natures prominence in the poem is unmistakable as she cites the power of the night as it envelopes her. Adding to this awareness of encirclement is the wild portion ascribed to the winds, blowing relentlessly. The combination of these two sentiments creates a strong sense of the intractable reference book of nature night darkens and cannot be stopped, wild winds cannot be tamed. This sense is ju st now heightened in the next line as Bronte ascribes a tyrannical spell to these forces, binding hera clear link between the burden of uncontrollable nature and her own sense of paralysis.She explicitly describes this sense of immobility in the final line of the stanza saying, I cannot, cannot go. Thus, in the kickoff stanza, Bronte is clearly fascinated by nature, but eventually overpowered and immobilized by its unyielding power. In the sulphur stanza, Bronte elaborates on the force of nature, ascribing an empty, lifeless quality to it that simultaneously evokes a sense of momentous serenity. The giant trees continue the large scale already created by the night enveloping her and the untamed wind. Yet those trees, like Bronte are burdened, held crop up by snowperhaps an allusion to her own feeling of sagging.The sense of an unfortunate future is heightened even further with her description of a storm speedy descending, as she reaffirms her paralysis, again saying that she cannot go. In the third and final stanza, Bronte ties the first two stanzas together. In describing clouds beyond clouds, and wastes beyond wastes, she reaffirms the crushing endlessness of nature and ties it to her hopelessness. If the manhood is so large, she feels small this sentiment perhaps the source of her unmotivated lethargy. Together, the stanzas total up to a message that underscores the power of nature while too highlighting the sagging weight of its enormity.